Tuesday 29 November 2016
Tuesday 8 November 2016
Wednesday 26 October 2016
Saturday 15 October 2016
New clothing and accessories on Alveda Music!
We have some new stuff, check here: http://alvedamusic.com/merchandise/
#EDMFamily #edmlife #edmlifestyle #trancefamily #accessories
Friday 7 October 2016
Saturday 1 October 2016
Tuesday 27 September 2016
Monday 19 September 2016
Monday 12 September 2016
Sunday 28 August 2016
Monday 22 August 2016
Sunday 14 August 2016
Friday 22 July 2016
Monday 18 July 2016
Lip Sync (playback) of Mad Video Music Awards 2016
A lot famous greek signers, they have used Lip Sync for this live show. We are disappointed from all these artists.
Friday 15 July 2016
Thursday 14 July 2016
Sunday 3 July 2016
Saturday 11 June 2016
Friday 3 June 2016
Monday 30 May 2016
REVIEW Real & Manual Professional Mastering Service by musicproductiontips.net
Many artists are looking for the cheapest and most professional place to get their tracks mastered. Now with a good price you can have the best mastering in a really good price. musicproductiontips.net offers now manual and real professional mastering!
Here is a track mastered by musicproductiontips.net and released by our label:
Check out: http://musicproductiontips.net/mastering
Saturday 28 May 2016
Wednesday 25 May 2016
Tuesday 24 May 2016
Faku stolen the track Nvidia from Deadmau5 and he released the track via Play Time Records
Faku, a 14 years old kid had released a stolen track from Deadmau5 via Play Time Records.
ORIGINAL TRACK@Playtimerecord1 Bonjour amigos! Wilkomen to the music industry! Lawyer Le fuck up.— dead mow cinco (@deadmau5) 21 Μαΐου 2016
https://youtu.be/jCy0Fz6UH1c
STOLEN TRACK
https://www.traxsource.com/track/3095545/purple-eyes-original-mix
A stupid 14yr boy had stolen and released the track of Deadmau5!
ORIGINAL TRACK
STOLEN TRACK
It's really sad that there are people in this world that they do stupid things like that... This is a big crime.
Sunday 22 May 2016
Thursday 19 May 2016
Wednesday 18 May 2016
Tuesday 17 May 2016
EDM’s Creative Crisis: It’s not just Piracy & music streaming
The news article from Spin news is about EDM’s Creative Crisis: It’s Not Just Pirating & Music Streaming, Its much worse and details the current problems for EDM producers and DJs.
Setting aside the audience, there are two fundamental roles in dance music: The producer and the performer (whether DJ, live act, or some hybrid of the two). Many electronic-music artists, certainly most working ones, occupy both roles. There are notable exceptions — particularly DJs like Ben UFO and Jackmaster, who have made a point of focusing their efforts solely on DJing — but DJs who don’t also produce original music are few and far between. (On the local level, of course, it’s possible to find many talented DJs who don’t put out records, but they rarely become known outside of their city or region, and they rarely end up making a career of it.) There must also be some electronic-music producers who never play in public, whether as DJs or live performers, but I’m having trouble coming up with any current names. As a rule, artists who want to have careers in electronic music have to do double duty as producers and performers. But that’s a recent development, and it has had deleterious effects on electronic dance music as a whole.
Many recording artists simply aren’t born performers, and vice versa. Some producers would be content to stay in their studios making music — whether that’s for listeners to buy, or other DJs to play out. (Electronic dance music’s economics are complicated by the fact that much of its output isn’t really meant to be purchased by home listeners; its main market is DJs.) They may not have the skills or interest to be DJs themselves, or to develop a dynamic, compelling live set. Production and performance entail totally different skill sets, and it sucks that a producer who is fantastically talented at one thing — turning out amazing productions — has to stretch her/himself thin by also taking up DJing or live performance.
But an artist who only makes records is increasingly unlikely to be able to make a living at it. Without even wading into the debate over streaming royalties, it is commonly accepted that the bottom has dropped out of the market for dance-music recordings. Labels that used to be able to count on selling 10,000 or more copies of a new single or EP may now sell 1,000 copies; labels that used to sell in the low thousands are now selling in the low hundreds.
There are many reasons that dance-music records sell less now than they used to. Piracy is a big one. Another is the “unbundling” of EP tracks. With digital music, consumers no longer have to fork over $10 for a two-track single; they may buy just one MP3. And while digital music might seem cheaper to distribute than vinyl — after all, there’s no physical pressing, no sleeves to print, no postage costs — it’s still not free; labels still have to cover graphic design, promotion, mastering of the digital file, and their own overhead. So once the digital retailer has taken its cut (as high as 40%) and the label has recouped its costs, the amount that’s left over for the artist is very small indeed, when we’re talking about single MP3s priced at $1.99.
So musicians who want to make a living need to tour. But here’s where the Catch-22 kicks in.
For producer/DJs to get consistent bookings, they need to keep up a steady flood of new productions in order to keep their name circulating in the public. So they end up releasing tons of mediocre shit, just as talented producers deliver sub-standard DJ sets. And, since they’re gigging every weekend and then recovering from jetlag and hangovers from Monday through Wednesday, there’s precious little time to actually sit down in the studio and get real work done. Making good music takes time, and time is an increasingly scarce resource for touring DJs and live performers.
Meanwhile, the market clogs up with mediocre, sound-alike productions. If people want to buy them, of course, that’s their prerogative. But the marketplace gets cluttered. Listeners burn out. It gets harder and harder to find original, exciting music in the big online retailers. Purchasers’ dollars get divided up between an increasingly larger pool of releases, and labels and artists sell even fewer recordings. So Johnston is right: The admonition to “just go out on tour,” a red herring for the indie scene, is an even less adequate solution for electronic dance music. The tightening loop between the studio and the stage is a vicious circle, and it’s strangling dance music’s creative potential.
Philip Sherburne
Monday 16 May 2016
Jail sentence for YouTube pranksters #Trollstation
Four members of the controversial Trollstation YouTube channel have been jailed in connection with fake robberies and kidnappings.
The group were involved in a fake robbery at London's National Portrait Gallery and a fake kidnapping at Tate Britain in July 2015.
The channel, with 718,000 subscribers, has built a reputation for filming staged pranks around the city.
A fifth member was imprisoned in March following a bomb hoax.
"The hoaxes may have seemed harmless to them, but they caused genuine distress to a number of members of the public, who should be able to go about their daily business without being put in fear in this way.
"We hope these convictions send a strong message that unlawful activities such as these will not be tolerated in London," said Robert Short, of the Crown Prosecution Service.
Daniel Jarvis, 27, Helder Gomes, 23, Endrit Ferizolli, 20, and Ebenezer Mensah, 29 were sentenced on Monday at the City of London Magistrate's Court.
All four pleaded guilty to two counts of using threatening, abusive, or insulting words or behaviour with intent to cause fear of, or provoke unlawful violence for their involvement in the two hoaxes.
For the charge at the National Portrait Gallery, Mr Jarvis was sentenced to 20 weeks, Mr Mensah and Mr Gomes to 18 weeks each, and Mr Ferizolli to 16 weeks. All four were also sentenced to eight weeks for the fake kidnapping at Tate Britain, to run concurrently.
Trollstation member Danh Van Le was sentenced to 12 weeks imprisonment in March for his involvement in the fake robbery, and also to 24 weeks for a separate bomb hoax.
"Our aim was never to get away with breaking the law," a member of the group known as Light told the BBC at the time.
Light said the group hoped to continue but would "re-evaluate" their approach.
"We are a big influence and we try to use that positively," he said of the channel's large following.
TTP Music Records supported by Alveda Music
TTP Music Records got the main resources to run and deal with AMVA by Alveda Music. Now all upcoming tracks from TTP can also be released on bundles of AMVA (Alveda Music Various Albums).
Sunday 15 May 2016
Friday 13 May 2016
Wednesday 11 May 2016
Tuesday 10 May 2016
Thursday 5 May 2016
Wednesday 4 May 2016
Friday 29 April 2016
Thursday 28 April 2016
Falcos rejects a deal to sell 2% shares of Alveda Music for 500€
The cost of 2% is right now around 500 EUR. But the label will not sell any share of the label right now, as everything is on development.
Sunday 24 April 2016
Saturday 23 April 2016
Friday 22 April 2016
Thursday 21 April 2016
Wednesday 20 April 2016
Tuesday 19 April 2016
Monday 18 April 2016
Sunday 17 April 2016
Saturday 16 April 2016
Friday 15 April 2016
Thursday 14 April 2016
Wednesday 13 April 2016
Tuesday 12 April 2016
Sunday 10 April 2016
Friday 8 April 2016
Thursday 7 April 2016
Tuesday 5 April 2016
Monday 4 April 2016
Thursday 31 March 2016
Monday 28 March 2016
Sunday 27 March 2016
Saturday 26 March 2016
Greek PRO is collecting royalties for tracks that are not registered on their catalog!
Falcos Panagiotis yesterday (25 March 2016) got reports from some local business(in Greece), that a local PRO is collecting royalties for tracks that are not registered on their catalog (including also royalty free music).
Alveda Music Group confirms that has never claimed revenues and never got any royalties from a PRO in Greece. The President of Alveda Music plans to invite members and musicians for a meeting in order to solve this trouble.
Alveda Music Group confirms that has never claimed revenues and never got any royalties from a PRO in Greece. The President of Alveda Music plans to invite members and musicians for a meeting in order to solve this trouble.
Thursday 24 March 2016
Tuesday 22 March 2016
Monday 21 March 2016
Saturday 19 March 2016
Friday 18 March 2016
Thursday 17 March 2016
Tuesday 15 March 2016
Monday 14 March 2016
Sunday 13 March 2016
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